When discussing the great figures of Latin American art, few names carry as much international weight as Olga de Amaral and Fernando Botero. Both born in Colombia in 1932, they have shaped the narrative of modern and contemporary Latin American art in radically different yet equally influential ways. While Botero captured the world with his monumental, voluminous figures, Olga de Amaral’s art redefined the boundaries of textile and abstraction, weaving gold, memory, and spiritual resonance into her artworks.
Fernando Botero: Monumentality with meaning
Fernando Botero is one of the most recognizable names in the global art market. His signature style, known as Boterismo, features exaggerated, rounded figures that express both sensuality and satire. His subjects, whether people, animals, or still life, are rendered with a volume that has become synonymous with his name.
Botero’s work often critiques politics, religion, and social norms through a visual language that is at once approachable and profound. For instance, his series on Abu Ghraib confronted themes of violence and human rights abuses, while paintings like The Presidential Family offer a caricature of power and corruption in Latin American regimes.

In the international art world, Fernando Botero’s art has been exhibited in prestigious museums including the Museum of Modern Art in New York, the Musée Maillol in Paris, and the Museo de Bellas Artes in Mexico City. His sculptures had graced public spaces from Park Avenue in New York to the Champs-Élysées in Paris, making his work part of the everyday landscape for millions.
Collectors of Latin American modern art have long considered Fernando Botero’s paintings and sculptures essential pieces. His market is strong, with works consistently commanding high prices at international auctions and drawing interest from major collectors in Europe, the United States, and Asia.
Olga de Amaral: Transforming Textile into Contemporary Gold
In a completely different register, Olga de Amaral has built a groundbreaking career that merges craft and fine art. Often described as one of the most important textile artists in the world, she has developed a language that transcends fiber and thread. Olga de Amaral’s art is characterized by luminous gold leaf, layered textures, and architectural scale-turning weaving into meditation and sculpture into sacred space.
Her journey began at the Cranbrook Academy of Art in Michigan, where she studied fiber art in the 1950s. From there, she began to experiment with materials and techniques that challenged traditional conceptions of textile. Olga de Amaral early works show influence from Colombian indigenous weaving traditions, but over time, she infused these roots with elements of abstraction, mysticism, and even cosmology.
What makes Olga de Amaral’s modern art unique is its intersection of the tactile and the transcendent. Series like Estela, Luna, and Alquimia integrate gold and silver leaf into horsehair, linen, and wool. These luminous pieces do not function merely as visual experiences, they also evoke ritual, silence, and timelessness. They are often described as spiritual portals, invoking both pre-Colombian traditions and minimalist aesthetics.

Today, Olga de Amaral’s works are held in the permanent collections of major institutions such as The Museum of Modern Art (MoMA) in New York, The Tate Modern in London, and The Art Institute of Chicago. Her recent solo exhibitions at Lisson Gallery and the Museum of Fine Arts, Houston, Cartier’s Foundation, and ICA Miami have introduced her art to new audiences, particularly in the United States, where interest in Colombian contemporary art continues to grow.
Contrasting mediums, complementary legacies
Although Botero and de Amaral work in vastly different mediums (figurative painting and sculpture versus abstract textile installation) they share a deep engagement with Colombian identity, memory, and materiality. Their practices have elevated Colombian visual culture and challenged narratives within the global art scene.
Fernando Botero’s inflated forms invite us to reconsider proportion, humor, and humanity. Olga de Amaral’s immersive tapestries suggest meditation, infinity, and a reverence for ancestral knowledge. Where Botero comments on the visible structures of power, de Amaral reflects on the invisible forces of spirituality and time. Together, their oeuvres encapsulate the range and richness of Colombian modern art.

Moreover, both artists have played key roles in building Latin America’s visibility on the international stage. Their careers paved the way for contemporary Colombian artists, who now enjoy growing attention from global collectors and institutions.
The role of collectors and curators in sustaining legacy
For collectors of Olga de Amaral’s art, there is increasing recognition of the investment potential and cultural value her works hold. As the boundaries between craft and fine art dissolve, textile-based practices like hers are being reappraised in major art markets.
Similarly, Fernando Botero art remains a cornerstone of any serious Latin American art collection. With his passing in 2023, interest in Fernando Botero sculptures and paintings has peaked, and his pieces are now being included in historical surveys of 20th-century modernism alongside Frida Kahlo, Diego Rivera, and Wifredo Lam.
Curators are also recontextualizing these two artists, not only as Colombian icons but as key voices in global dialogues about identity, material, and aesthetics. Institutions are increasingly integrating their works into broader exhibitions of modern and contemporary art (not just Latin American art) affirming their universality and relevance.

Experience Olga de Amaral and Fernando Botero at our gallery
At Duque Arango Gallery, we are proud to offer an exclusive selection of artworks by both Olga de Amaral and Fernando Botero. Our curated collection reflects decades of dedication to showcasing the best of Latin American contemporary art and modern art.
We invite collectors, curators, and art enthusiasts to experience the unique artistic voices of these two masters. Their works do more than decorate, they provoke thought, evoke emotion, and connect us to a broader cultural and historical continuum.
In celebrating Olga de Amaral’s modern art and Fernando Botero’s visual world, we reaffirm the importance of Latin American perspectives in the global artistic dialogue. Visit our gallery to explore these transformative works and to learn more about how they continue to shape the future of art.