Alejandro Obregon

Throughout hundreds of pieces, Obregón knew how to derive and find his own language, but more than anything he knew how to dialogue with his social and political context without losing the autonomy and vigor of his plastic exploration. Their pieces, pioneers in a kind of mestizo expressionism, managed to link their Hispanic-Caribbean cultural heritage and their learning and formal concerns in an impeccable symbiosis, which consolidated their presence in the global artistic dialogue – Laura Páez