Reynier Ferrer in Medellín

Ferrer’s work is one to look at closely not only for his excellent pictorial practice, but also for the emotions that support each of his brushstrokes and brushstrokes.

It is undeniable that he dispenses with figuration as a central axis; rather, his work proposes a new reality different from the natural one with a unique language of form, color and line that creates a composition that stands on its own. He moves away from the anecdotal and the narrative to deliver a series of works whose main -and only- objective is to feel.